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Vibe Writing HubBy Orwellix
By the editorial team · · 11 min read

Workflow 05 / Rewrite

Rewrite and Edit an AI Draft Deliberately

A draft that has been read aloud, marked by hand, corrected in bounded turns, critiqued as its reader, stripped of generated habits, checked against sources, and finished by you.

Go to the steps7 steps · Rewrite · 45 to 90 minutes for a 1,000-word draft, 15 to 20 minutes for an email
Outcome
A draft that has been read aloud, marked by hand, corrected in bounded turns, critiqued as its reader, stripped of generated habits, checked against sources, and finished by you.
Time
45 to 90 minutes for a 1,000-word draft, 15 to 20 minutes for an email
Who does what
YouAI proposesYou and AI

An AI draft arrives looking finished. That is the problem. It has paragraphs, transitions, a confident close, and no visible seams, so the natural response is to tweak a few words and send it. Then a reader finds the invented reason in sentence two, or hears a voice that is not yours, or reaches the tidy summary that says nothing.

This workflow treats the draft as raw material, which is what it is. You read it as the reader would, you mark it by hand before any prompt, you fix it in bounded turns, you get a critique from a session that did not write it, you strip the habits that mark text as generated, you check every claim, and you finish it yourself. Seven steps, most of them short.

The running example is an email, because an email is where people most often send an AI draft unedited: a regional manager writing to fourteen store managers to say that the Sunday delivery window is moving from 6 to 8 a.m. to 10 a.m. to noon, starting November 2, with no extra staffing budget. The draft she got back was cheerful, 400 words long, and wrong in three places.

01

When to use it

Use it for

  • Any draft that came out of a chat and is going somewhere with your name on it
  • A draft you wrote with AI yesterday and are reading today with fresh eyes
  • A colleague's or client's AI-assisted draft you have been asked to fix
  • An email that matters: a change people will not like, a request, an apology, a refusal

Not for

  • The spine is wrong: the argument runs in the wrong order or the piece answers a different question. Editing will not fix structure. Go back to the outline
  • A draft full of facts you have no way to check. Get the sources first, or cut the claims. Polishing unverifiable text makes it more dangerous, not less
  • Text that is already yours and just needs proofreading. A single bounded edit or a spell check will do
02

What you need before you start

  • The draft, pasted into a document you control, not just the chat
  • The source note or the original brief: reader, purpose, known facts, what must not be implied
  • Your sources, open and within reach: the memo, the spreadsheet, the policy, the email that set the facts
  • Three samples of your own writing, or your Voice Sheet, for the voice step
  • A quiet place to read aloud
03

The steps

Each step names who does the work, the decision you make before moving on, and the prompt to use where one helps.

  1. 01
    You5 minutes for an email, 10 for 1,000 words

    Read it aloud once, as the reader, without a pen

    Read the whole draft out loud, at the pace the reader will read it, before you mark anything. Your ear catches what your eye forgives: the sentence you would never say, the rhythm that never varies, the reason that was never given. Do not stop to fix. You are answering one question: does this do the job the source note set?

    The manager read her draft aloud and stopped twice without meaning to. Once at 'we're excited to announce,' because nobody was excited. Once at 'after careful analysis of delivery data,' because there had been no analysis: the window moved because the supplier changed its route. The draft had invented a reason in order to sound reasonable.

  2. 02
    You10 minutes

    Mark it by hand before any prompt

    Print it or work in your document. Three marks: keep, cut, fix. For every fix, write one line that names the problem and its effect on the reader, not the word you dislike. 'Paragraph two gives a reason we did not give. Managers will repeat it to staff and it is false.' That line becomes the bounded edit later. The effect is what tells the assistant what success looks like.

    Do this before you open the chat. Once the assistant starts proposing, its proposals set the agenda. Your marks, made first, keep the agenda yours. The manager's marks: keep the date and time sentence, cut the excitement and the invented analysis, and fix the staffing paragraph, which implied help was coming.

  3. 03
    You and AI15 to 30 minutes

    Make bounded edits, one problem per turn

    Now open the chat, paste the draft from your document, and work down the fix list. Each turn names one problem, its effect, what may change, what must stay, and asks for OLD and NEW on the touched sentences only. Protect the marked paragraphs with the word 'keep.' Cuts you do yourself. There is no reason to ask a model to delete.

    After each turn, examine the difference: did the change do what you asked and nothing else? A softer sentence can hide the same problem: 'arrange support' still promises what 'we will help' promised. Paste the accepted result back into the document before the next turn.

    Send this
    Change only the third paragraph. The problem: it says managers 'will be supported through the transition,' which they will read as a promise of extra staff, and there is no extra staffing budget. Rewrite it to state plainly that the window changes on November 2, that staffing stays as it is, and that managers who foresee a problem can raise it with me by October 24. Keep the date and times exactly. Do not add reasons for the change. Show OLD and NEW for the sentences you change, then stop.

    Full prompt for this step
  4. 04
    AI proposes10 minutes

    Get a critique in a fresh session, as the reader

    Open a new chat. Paste the draft, the reader description, and nothing about how it was written. Ask for a critique in the reader's voice: where would this reader stop, what would they not believe, what would they repeat to someone else, what question would they have that the piece does not answer. The session that wrote the draft cannot do this honestly, because it is grading its own work.

    Treat every point as a hypothesis. The manager's critique said a store manager would immediately ask 'who covers the 6 to 8 slot now?' She had not answered that. It also suggested 'a warmer opening to soften the news.' She rejected that, because her managers would read warmth as spin. Both responses were right.

    Full prompt for this step
  5. 05
    You and AI10 to 15 minutes

    Strip the AI tells and restore your voice

    Generated text has habits. Lists of three where two or five would be true. The 'not X but Y' reversal. A rhetorical question to open. Sentences of uniform length. A tidy summary that restates the piece. 'Excited to announce.' A closing line that reaches for uplift. Go through the draft with the AI Tells Checklist and mark each one. Then decide, for each, whether it is a default to strip or something you would actually write. Some people do write in threes.

    Where a whole paragraph has drifted away from you, do not edit it word by word. Paste a sample of your own writing, say 'mine,' and ask for that paragraph to be rewritten in your rhythm and stance only, with no change in meaning. Or rewrite it yourself. For a single paragraph, that is often faster.

    Send this
    Mine: [PASTE TWO OR THREE PARAGRAPHS YOU WROTE YOURSELF]. Describe in four lines what these have in common: sentence length, how I open, how I close, what I never do. Then rewrite only paragraph four of the draft below to match that description. Keep every fact, date, and figure exactly. Do not strengthen or soften any claim. Do not add a question, a list of three, or a closing line. Show OLD and NEW, then stop.

    Full prompt for this step
  6. 06
    You and AI10 to 30 minutes, depending on how many claims the piece makes

    Run the fact-check pass against your sources

    Ask the assistant to list every checkable claim in the draft: each date, time, number, name, quote, reason, and promise. That is a job it does well. Checking them is yours: open the memo, the calendar, the spreadsheet, and confirm each one. Resolve every [VERIFY] tag and every reason the draft gave. A reason is a claim. 'Due to supplier changes' needs the supplier's email behind it just as a statistic needs its source.

    The manager's list had six items. Four stood. One was corrected (the draft said November 1, the memo said November 2). One was cut: the draft said the new window 'aligns with peak customer traffic,' which nobody had established.

    Full prompt for this step
  7. 07
    You10 minutes

    Do the final human edit and send from your document

    Close the chat. Read the piece aloud once more, from your document, and change by hand anything that still does not sound like you. Check the stance last: nothing you said carefully should have become certain, and nothing you said plainly should have become hedged. The Final Human Edit prompt is a checklist for this pass, not an invitation to another rewrite.

    Send or publish from the document. If the destination has a disclosure rule, follow it. The manager's final email was 140 words, had no reason in it because none had been given, named the date twice, and told managers whom to call. Three managers called. That was the point.

    Full prompt for this step
04

Where it goes wrong

You asked the assistant to 'tighten this up' and it rewrote the whole thing.

'Tighten' is not a bounded change. Go back to your marks, name one problem and its effect, state what must stay, and ask for OLD and NEW. Paste the master copy back so it works from your version.

The edits made the draft smoother, and the problem is still there in softer words.

Examine the effect, not the wording. 'Will be supported' became 'can expect assistance' and still promises. Name the effect again, more precisely, and if it fails twice, write the sentence yourself and paste it in with 'keep.'

The critique said everything looks great.

You ran it in the session that wrote the draft, or you asked 'is this good?' Use a fresh session and ask in the reader's voice: where would they stop, what would they not believe, what question is unanswered.

You stripped every tell and the piece now reads flat.

Some of those habits were yours. Put back the ones you would have written anyway, on purpose. The checklist identifies defaults, but it does not forbid them.

A reason, a benefit, or a figure in the draft was never in your source.

Models fill gaps with plausible reasons. Cut it, do not soften it. 'Due to a scheduling conflict' with no conflict is a false statement your reader will repeat. The fact-check step treats reasons as claims for exactly this case.

You finished in the chat and sent from the chat.

The chat holds every version, including rejected ones. The document holds what you accepted. Always send from the document, and read it aloud there first.

05

Before you call it done

  • You read the draft aloud, as the reader, before marking anything.
  • Keep, cut, and fix lists exist, written by you, with the effect on the reader named for each fix.
  • Every edit was bounded: one problem, what may change, what must stay, OLD and NEW.
  • You examined each change for the effect, not just the wording.
  • The critique came from a fresh session in the reader's voice, and you recorded which points you rejected.
  • AI tells were marked, and you decided which to strip and which are honestly yours.
  • Every date, number, name, quote, reason, and promise was checked against a source you opened.
  • No [VERIFY] tags remain.
  • You read the final version aloud from your document and sent from there.
06

Questions

Why read aloud before marking? Isn't that slower?

It is five minutes, and it is the fastest way to find what the eye forgives. Invented reasons, uniform rhythm, and a stance that is not yours all sound wrong before they look wrong. Reading without a pen also keeps you from fixing sentence one before you know whether the draft does its job at all.

Can the same chat that wrote the draft do the critique?

It can produce something that looks like a critique. It will also defend its own choices and admire its own sentences, because it is grading its own work. A fresh session with only the draft and the reader description gives you something closer to a stranger's read. Use the fresh one.

What counts as an AI tell?

A habit that marks text as generated rather than written: reflexive lists of three, the 'not X but Y' reversal, opening with a rhetorical question, uniform sentence length, a summary close, upbeat announcements, and reasons that were never given. The checklist on this site lists more. The question for each is whether you would have written it. If yes, keep it.

How much of this applies to a short email?

All of it, in about fifteen minutes. Read it aloud, mark it, make one or two bounded edits, check every date and promise against the source, and send from your document. The critique step is optional for routine emails and essential for the ones people will not like.

Next workflowFrom Rough Idea to Final DraftA released piece you can defend line by line: your angle, your facts, your voice, with every AI proposal judged and every claim checked before it left the chat.